276,38 €
307,09 €
-10% with code: EXTRA
Ben Jonson's Theatrical Republics
Ben Jonson's Theatrical Republics
276,38
307,09 €
  • We will send in 10–14 business days.
This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive c…
  • Publisher:
  • ISBN-10: 0312214987
  • ISBN-13: 9780312214982
  • Format: 15.3 x 22.4 x 2.7 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

Ben Jonson's Theatrical Republics (e-book) (used book) | bookbook.eu

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This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.

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  • Author: J Sanders
  • Publisher:
  • ISBN-10: 0312214987
  • ISBN-13: 9780312214982
  • Format: 15.3 x 22.4 x 2.7 cm, hardcover
  • Language: English English

This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.

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