30,23 €
33,59 €
-10% with code: EXTRA
Babes in the Bighouse
Babes in the Bighouse
30,23
33,59 €
  • We will send in 10–14 business days.
Subtitled "A Documentary Fantasy Musical About Life in Prison," BABES IN THE BIG HOUSE explores feminism, sexuality, and the degradation of women. "BABES IN THE BIGHOUSE is a wildly varying production, with situations so funny they're sad, so tragic they're hilarious. The characters are acid-strong." Steve Jordan, Omaha World-Herald "BABES is a funny, shocking, affecting piece of theater. Ms Terry's jazz-like verbal constructions were absolutely great." Maggie Hawthorn, Seattle Post-Intelligenc…
  • SAVE -10% with code: EXTRA

Babes in the Bighouse (e-book) (used book) | Megan Terry | bookbook.eu

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Subtitled "A Documentary Fantasy Musical About Life in Prison," BABES IN THE BIG HOUSE explores feminism, sexuality, and the degradation of women.

"BABES IN THE BIGHOUSE is a wildly varying production, with situations so funny they're sad, so tragic they're hilarious. The characters are acid-strong."
Steve Jordan, Omaha World-Herald

"BABES is a funny, shocking, affecting piece of theater. Ms Terry's jazz-like verbal constructions were absolutely great."
Maggie Hawthorn, Seattle Post-Intelligencer

"Megan Terry, like Kafka did in The Trial, uses razor-honed, sardonic gallows humor to coax empathy and understanding--so her theme--the dehumanization of incarcerated people aided and abetted by sexist stereotyping and sadism--comes across with even greater power and urgency."
Victor Livingston, Philadelphia Evening Bulletin

EXTRA 10 % discount with code: EXTRA

30,23
33,59 €
We will send in 10–14 business days.

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Subtitled "A Documentary Fantasy Musical About Life in Prison," BABES IN THE BIG HOUSE explores feminism, sexuality, and the degradation of women.

"BABES IN THE BIGHOUSE is a wildly varying production, with situations so funny they're sad, so tragic they're hilarious. The characters are acid-strong."
Steve Jordan, Omaha World-Herald

"BABES is a funny, shocking, affecting piece of theater. Ms Terry's jazz-like verbal constructions were absolutely great."
Maggie Hawthorn, Seattle Post-Intelligencer

"Megan Terry, like Kafka did in The Trial, uses razor-honed, sardonic gallows humor to coax empathy and understanding--so her theme--the dehumanization of incarcerated people aided and abetted by sexist stereotyping and sadism--comes across with even greater power and urgency."
Victor Livingston, Philadelphia Evening Bulletin

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