51,74 €
57,49 €
-10% with code: EXTRA
Avant-Garde Film
51,74 € 
- We will send in 10–14 business days.
Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-s…
57.49
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- Author: Michael O'Pray
- Publisher: Wallflower Press
- ISBN-10: 1903364566
- ISBN-13: 9781903364567
- Format: 15.1 x 20.5 x 1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).EXTRA 10 % discount with code: EXTRA
51,74 €
57,49 €
We will send in 10–14 business days.
The promotion ends in 23d.19:03:52
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Michael O'Pray
- Publisher: Wallflower Press
- ISBN-10: 1903364566
- ISBN-13: 9781903364567
- Format: 15.1 x 20.5 x 1 cm, minkšti viršeliai
- Language: English English
Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).
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