- We will send in 10–14 business days.
/images/books/12588503/9781938521218.jpg)
- Author: Olchar E Lindsann
- Publisher: Luna Bisonte Prods
- ISBN-10: 1938521218
- ISBN-13: 9781938521218
- Format: 18.9 x 24.6 x 0.5 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
ARTHUR DIES is well-suited as a performance text (via a three hour stint), and performance poetry is definitely Olchar Lindsann's area of expertise. He studied performance, writing and critical theory at Dartington College of Arts in England. The long-term project ARTHUR DIES approaches Epic Poetry through the experience of the avant-garde tradition--Lettristic, Otherstream, Symbolist & Post-Structuralist in inspiration. Of this text, Olchar says that it "relates to the impossibility of permanent utopia that is at the root of the Arthurian mythos, and at the heart of any attempt to compose an Epic at our particular historical and cultural moment. How do we respond to the problematic associations with monarchism, nationalism, patriarchy, patriotism, organised religion, etc.? How do we reconcile the element of epic & lyric inspiration in Speech with the subversive, annihilating nature of Writing?"
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.10:03:06
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Olchar E Lindsann
- Publisher: Luna Bisonte Prods
- ISBN-10: 1938521218
- ISBN-13: 9781938521218
- Format: 18.9 x 24.6 x 0.5 cm, minkšti viršeliai
- Language: English English
ARTHUR DIES is well-suited as a performance text (via a three hour stint), and performance poetry is definitely Olchar Lindsann's area of expertise. He studied performance, writing and critical theory at Dartington College of Arts in England. The long-term project ARTHUR DIES approaches Epic Poetry through the experience of the avant-garde tradition--Lettristic, Otherstream, Symbolist & Post-Structuralist in inspiration. Of this text, Olchar says that it "relates to the impossibility of permanent utopia that is at the root of the Arthurian mythos, and at the heart of any attempt to compose an Epic at our particular historical and cultural moment. How do we respond to the problematic associations with monarchism, nationalism, patriarchy, patriotism, organised religion, etc.? How do we reconcile the element of epic & lyric inspiration in Speech with the subversive, annihilating nature of Writing?"
Reviews