61,01 €
67,79 €
-10% with code: EXTRA
Art and Labour
Art and Labour
61,01
67,79 €
  • We will send in 10–14 business days.
This book provides a ground breaking re-examination of the changing relationship between art, craft, and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, Beech reveals, instead, that the history of the formation of art as distinct from handicraft,…
  • Publisher:
  • Year: 2021
  • Pages: 304
  • ISBN-10: 1642594237
  • ISBN-13: 9781642594232
  • Format: 15.2 x 22.9 x 1.7 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

Art and Labour (e-book) (used book) | Dave Beech | bookbook.eu

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This book provides a ground breaking re-examination of the changing relationship between art, craft, and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, Beech reveals, instead, that the history of the formation of art as distinct from handicraft, commerce, and industry can be traced back to the dissolution of the dual system of guild and court. This essential history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.

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  • Author: Dave Beech
  • Publisher:
  • Year: 2021
  • Pages: 304
  • ISBN-10: 1642594237
  • ISBN-13: 9781642594232
  • Format: 15.2 x 22.9 x 1.7 cm, softcover
  • Language: English English

This book provides a ground breaking re-examination of the changing relationship between art, craft, and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, Beech reveals, instead, that the history of the formation of art as distinct from handicraft, commerce, and industry can be traced back to the dissolution of the dual system of guild and court. This essential history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.

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