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180,19 €
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Approaches to Music Research; Between Practice and Epistemology
Approaches to Music Research; Between Practice and Epistemology
162,17
180,19 €
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This book consists primarily of papers presented at the international symposium Approaches to Music Research: Between Practice and Epistemology, held in Ljubljana (Slovenia) in May 2008. Scholars from various music research areas offered heterogeneous views of one central issue: the relations between music-research ideals and practices. The intention was to offer a reflection concerning disciplinary intersections as ideal-typical formations in which different contemporary musicological practice…
180.19
  • Publisher:
  • ISBN-10: 3631592000
  • ISBN-13: 9783631592007
  • Format: 15 x 22.1 x 2 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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This book consists primarily of papers presented at the international symposium Approaches to Music Research: Between Practice and Epistemology, held in Ljubljana (Slovenia) in May 2008. Scholars from various music research areas offered heterogeneous views of one central issue: the relations between music-research ideals and practices. The intention was to offer a reflection concerning disciplinary intersections as ideal-typical formations in which different contemporary musicological practices meet each other, either positively or in more negative terms. The topoi of the symposium discussed elemental, difficult-to-answer questions about the position that musicology holds within the humanities and sciences. The symposium especially encouraged case studies of basic epistemological reflections with an emphasis on the practice of music research from any field.

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  • Publisher:
  • ISBN-10: 3631592000
  • ISBN-13: 9783631592007
  • Format: 15 x 22.1 x 2 cm, kieti viršeliai
  • Language: English English

This book consists primarily of papers presented at the international symposium Approaches to Music Research: Between Practice and Epistemology, held in Ljubljana (Slovenia) in May 2008. Scholars from various music research areas offered heterogeneous views of one central issue: the relations between music-research ideals and practices. The intention was to offer a reflection concerning disciplinary intersections as ideal-typical formations in which different contemporary musicological practices meet each other, either positively or in more negative terms. The topoi of the symposium discussed elemental, difficult-to-answer questions about the position that musicology holds within the humanities and sciences. The symposium especially encouraged case studies of basic epistemological reflections with an emphasis on the practice of music research from any field.

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