60,20 €
66,89 €
-10% with code: EXTRA
Animation
Animation
60,20
66,89 €
  • We will send in 10–14 business days.
"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema a…
66.89
  • Publisher:
  • ISBN-10: 1903364205
  • ISBN-13: 9781903364208
  • Format: 15.4 x 20.1 x 1 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Animation (e-book) (used book) | Paul Wells | bookbook.eu

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"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.

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  • Author: Paul Wells
  • Publisher:
  • ISBN-10: 1903364205
  • ISBN-13: 9781903364208
  • Format: 15.4 x 20.1 x 1 cm, minkšti viršeliai
  • Language: English English

"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.

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