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Anecdotes of Painting in England; With Some Account of the Principal Artists; and Incidental Notes on Other Arts; Collected by the Late Mr. George Vertue; and now Digested and Published From his Original MSS. The Second Edition of 4; Volume 3
Anecdotes of Painting in England; With Some Account of the Principal Artists; and Incidental Notes on Other Arts; Collected by the Late Mr. George Vertue; and now Digested and Published From his Original MSS. The Second Edition of 4; Volume 3
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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Anecdotes of Painting in England; With Some Account of the Principal Artists; and Incidental Notes on Other Arts; Collected by the Late Mr. George Vertue; and now Digested and Published From his Original MSS. The Second Edition of 4; Volume 3 (e-book) (used book) | bookbook.eu

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T063190

Dedication signed: Horace Walpole. With an unpaginated appendix, and index, at the end of each vol. Vol. 3 bears the imprint: "Strawberry-Hill: printed in the year 1765". Vol. 4 bears the imprint: "Strawberry-Hill: printed by Thomas Kirgate, 1771"; it

[Twickenham]: Printed by Thomas Kirgate at Strawberry-Hill, 1765-71 [1765-80]. 4v., plates: ports.; 4°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T063190

Dedication signed: Horace Walpole. With an unpaginated appendix, and index, at the end of each vol. Vol. 3 bears the imprint: "Strawberry-Hill: printed in the year 1765". Vol. 4 bears the imprint: "Strawberry-Hill: printed by Thomas Kirgate, 1771"; it

[Twickenham]: Printed by Thomas Kirgate at Strawberry-Hill, 1765-71 [1765-80]. 4v., plates: ports.; 4°

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