- We will send in 10–14 business days.
/images/books/10117777/9781472576156.jpg)
- Author: Paul Menzer
- Publisher: Arden Shakespeare
- ISBN-10: 1472576152
- ISBN-13: 9781472576156
- Format: 13 x 19.8 x 1.8 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Shakespeare's four-hundred-year performance history is full of anecdotes - ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes - stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar - and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 24d.03:36:05
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Paul Menzer
- Publisher: Arden Shakespeare
- ISBN-10: 1472576152
- ISBN-13: 9781472576156
- Format: 13 x 19.8 x 1.8 cm, minkšti viršeliai
- Language: English English
Shakespeare's four-hundred-year performance history is full of anecdotes - ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes - stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar - and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth.
Reviews