192,77 €
214,19 €
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American Modernist Fiction
American Modernist Fiction
192,77
214,19 €
  • We will send in 10–14 business days.
American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoa…
  • Publisher:
  • ISBN-10: 1666935662
  • ISBN-13: 9781666935660
  • Format: 15.2 x 22.9 x 1.6 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

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American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoanalytic studies simultaneously stage the narrative and re-enact its putative significance, provoke and question its intent, thereby establishing a dialectics of desire--what both affects the body of the narrative and, equally, the critic's subjectivity.

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  • Author: John Dolis
  • Publisher:
  • ISBN-10: 1666935662
  • ISBN-13: 9781666935660
  • Format: 15.2 x 22.9 x 1.6 cm, hardcover
  • Language: English English

American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoanalytic studies simultaneously stage the narrative and re-enact its putative significance, provoke and question its intent, thereby establishing a dialectics of desire--what both affects the body of the narrative and, equally, the critic's subjectivity.

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