From one of the most important voices in world literature, a darkly comic campus novel and love story about that most British of institutions, Oxford University. - With an Introduction by John Banville.In All Souls, a visiting Spanish lecturer, viewing Oxford through a prismatic detachment, is alternately amused, puzzled, delighted, and disgusted by its vagaries of human vanity. A bit lonely, not always able to see his charming but very married mistress, he casts about for activity; he barely h…
From one of the most important voices in world literature, a darkly comic campus novel and love story about that most British of institutions, Oxford University. - With an Introduction by John Banville.
In All Souls, a visiting Spanish lecturer, viewing Oxford through a prismatic detachment, is alternately amused, puzzled, delighted, and disgusted by its vagaries of human vanity. A bit lonely, not always able to see his charming but very married mistress, he casts about for activity; he barely has to teach. Yet so much goes into simply "being" at Oxford: friendship, opinion-mongering, one-upmanship, finicky exchanges of favors, gossip, adultery, book-collecting, back-patting, backstabbing. MarÃas demonstrates a sweet tooth for eccentricity in this novel from "one of the best contemporary writers" (J.M. Coetzee, winner of the Nobel Prize in Literature).
From one of the most important voices in world literature, a darkly comic campus novel and love story about that most British of institutions, Oxford University. - With an Introduction by John Banville.
In All Souls, a visiting Spanish lecturer, viewing Oxford through a prismatic detachment, is alternately amused, puzzled, delighted, and disgusted by its vagaries of human vanity. A bit lonely, not always able to see his charming but very married mistress, he casts about for activity; he barely has to teach. Yet so much goes into simply "being" at Oxford: friendship, opinion-mongering, one-upmanship, finicky exchanges of favors, gossip, adultery, book-collecting, back-patting, backstabbing. MarÃas demonstrates a sweet tooth for eccentricity in this novel from "one of the best contemporary writers" (J.M. Coetzee, winner of the Nobel Prize in Literature).
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