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38,39 €
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After the Exhibition
After the Exhibition
34,55
38,39 €
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A church art exhibition turns deadly . . . 'Art, my dear boy, ' said Mr Askern, 'especially sacred art, needs tradition. Tradition is the bedrock of our art . . .' He broke off, staring at the woman in front of him. Her face seemed to lose all definition and her skin turned an unnatural shade of putty-coloured grey. 'Art, ' she said, her voice scarcely more than a whisper. 'Art! Oh my God, art!' She swayed dangerously. Jack leapt forward, catching her as she fell. Jack Haldean expected Lythewel…
38.39
  • Publisher:
  • Year: 2016
  • Pages: 224
  • ISBN-10: 1847516475
  • ISBN-13: 9781847516473
  • Format: 14 x 21.8 x 1.3 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

After the Exhibition (e-book) (used book) | bookbook.eu

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A church art exhibition turns deadly . . .

'Art, my dear boy, ' said Mr Askern, 'especially sacred art, needs tradition. Tradition is the bedrock of our art . . .'

He broke off, staring at the woman in front of him. Her face seemed to lose all definition and her skin turned an unnatural shade of putty-coloured grey. 'Art, ' she said, her voice scarcely more than a whisper. 'Art! Oh my God, art!'

She swayed dangerously. Jack leapt forward, catching her as she fell.

Jack Haldean expected Lythewell and Askerns' exhibition of church art in Lyon House, London, to be a sedate affair. After all, Lythewell and Askern, Church Artists, were a respectable, old-fashioned firm, the last people to be associated with mystery, violence and sudden death. Or so it seemed - until after the exhibition . . .

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  • Author: Dolores Gordon-Smith
  • Publisher:
  • Year: 2016
  • Pages: 224
  • ISBN-10: 1847516475
  • ISBN-13: 9781847516473
  • Format: 14 x 21.8 x 1.3 cm, minkšti viršeliai
  • Language: English English

A church art exhibition turns deadly . . .

'Art, my dear boy, ' said Mr Askern, 'especially sacred art, needs tradition. Tradition is the bedrock of our art . . .'

He broke off, staring at the woman in front of him. Her face seemed to lose all definition and her skin turned an unnatural shade of putty-coloured grey. 'Art, ' she said, her voice scarcely more than a whisper. 'Art! Oh my God, art!'

She swayed dangerously. Jack leapt forward, catching her as she fell.

Jack Haldean expected Lythewell and Askerns' exhibition of church art in Lyon House, London, to be a sedate affair. After all, Lythewell and Askern, Church Artists, were a respectable, old-fashioned firm, the last people to be associated with mystery, violence and sudden death. Or so it seemed - until after the exhibition . . .

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