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- Author: Ben Tanzer
- Publisher: Ig Publishing
- ISBN-10: 1632461714
- ISBN-13: 9781632461711
- Format: 13.3 x 20.3 x 1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Siskel and Ebert meet Joan Didion in Auteur, a unique series that combines in-depth film criticism with personal autobiography. Each book in the series examines a single movie through a critical and historical lens, filtered through the author's creative and emotional connection to the film. The result mixes literary memoir with a loving study of some of our most beloved and influential films.
After Hours: Scorsese, Grief and the Grammar of Cinema is a live wire examination of author Ben Tanzer's relationship to Martin Scorsese's famous 1985 film, and how it helped him to make sense of the death of his father. Tanzer also delves into the overall importance of Scorsese and his films to his family, using After
Hours as a lens into his life decisions--most particularly in the form of late-night visits to downtown New York
City in the 1980s when he first came of age and began to ask himself how one manages to live a life of meaning,
excitement, exploration, and joy.
The promotion ends in 
- Author: Ben Tanzer
- Publisher: Ig Publishing
- ISBN-10: 1632461714
- ISBN-13: 9781632461711
- Format: 13.3 x 20.3 x 1 cm, minkšti viršeliai
- Language: English English
Siskel and Ebert meet Joan Didion in Auteur, a unique series that combines in-depth film criticism with personal autobiography. Each book in the series examines a single movie through a critical and historical lens, filtered through the author's creative and emotional connection to the film. The result mixes literary memoir with a loving study of some of our most beloved and influential films.
After Hours: Scorsese, Grief and the Grammar of Cinema is a live wire examination of author Ben Tanzer's relationship to Martin Scorsese's famous 1985 film, and how it helped him to make sense of the death of his father. Tanzer also delves into the overall importance of Scorsese and his films to his family, using After
Hours as a lens into his life decisions--most particularly in the form of late-night visits to downtown New York
City in the 1980s when he first came of age and began to ask himself how one manages to live a life of meaning,
excitement, exploration, and joy.
Reviews