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- Author: John O'Loughlin
- Publisher: CreateSpace Independent Publishing Platform
- ISBN-10: 1518866093
- ISBN-13: 9781518866098
- Format: 15.2 x 22.9 x 3.4 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Although all three of the extensively revised novels in this 'trilogy' are independent works that have also been published individually, they share a common thematic concern with transcendentalism, not least in respect of modern art, and were written by the author in quick succession, thereby retaining a stylistic as well as thematic consistency which has always lent itself to the idea, for him, of a loose trilogy that, partly because of their mutual independence and partly because of their subject-matter, could be regarded as 'transcendent'. Hence the title, 'A Trilogy Transcendent' which, deferring to the structural informality of the texts, has the merit of presenting these novels in a cyclically chronological light - something arguably necessary to John O'Loughlin's work as a whole, but especially necessary to a fuller understanding of his approach to transcendentalism as it stood in 1980, the year these novels were originally written. - A Centretruths editorial
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- Author: John O'Loughlin
- Publisher: CreateSpace Independent Publishing Platform
- ISBN-10: 1518866093
- ISBN-13: 9781518866098
- Format: 15.2 x 22.9 x 3.4 cm, minkšti viršeliai
- Language: English English
Although all three of the extensively revised novels in this 'trilogy' are independent works that have also been published individually, they share a common thematic concern with transcendentalism, not least in respect of modern art, and were written by the author in quick succession, thereby retaining a stylistic as well as thematic consistency which has always lent itself to the idea, for him, of a loose trilogy that, partly because of their mutual independence and partly because of their subject-matter, could be regarded as 'transcendent'. Hence the title, 'A Trilogy Transcendent' which, deferring to the structural informality of the texts, has the merit of presenting these novels in a cyclically chronological light - something arguably necessary to John O'Loughlin's work as a whole, but especially necessary to a fuller understanding of his approach to transcendentalism as it stood in 1980, the year these novels were originally written. - A Centretruths editorial
Reviews