- We will send in 10–14 business days.
/images/books/12991691/9783030794651.jpg)
- Author: Dan Geva
- Publisher: Palgrave Macmillan
- Year: 2021
- ISBN-10: 3030794652
- ISBN-13: 9783030794651
- Format: 14.8 x 21 x 2.4 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of "documentary" between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 23d.17:49:36
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Dan Geva
- Publisher: Palgrave Macmillan
- Year: 2021
- ISBN-10: 3030794652
- ISBN-13: 9783030794651
- Format: 14.8 x 21 x 2.4 cm, kieti viršeliai
- Language: English English
This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of "documentary" between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.
Reviews