25,82 €
28,69 €
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A Defense of Poetry
A Defense of Poetry
25,82
28,69 €
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Winner of the 2001 Agnes Lynch Starrett Poetry Prize Runner-up, Society of Midland Authors 2002 Poetry Prize Gabriel Gudding's poems not only defend against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself. These poems sometimes nestle in the lowest regions of the body, and depict invective, donnybrooks, chase scenes, and the abuse of animals, as well as the indignities and bumblings of the besotted, the lustful, the annoyed, and the stupid.…
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A Defense of Poetry (e-book) (used book) | Gabriel Gudding | bookbook.eu

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Winner of the 2001 Agnes Lynch Starrett Poetry Prize
Runner-up, Society of Midland Authors 2002 Poetry Prize

Gabriel Gudding's poems not only defend against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself. These poems sometimes nestle in the lowest regions of the body, and depict invective, donnybrooks, chase scenes, and the abuse of animals, as well as the indignities and bumblings of the besotted, the lustful, the annoyed, and the stupid.

In short, Gudding seeks to reclaim the lowbrow. Dangerous, edgy, and dark, this is an innovative writer unafraid to attack the unremitting high seriousness of so much poetry, laughing with his readers as he twists the elegiac lyric I into a pompous little clown.

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Winner of the 2001 Agnes Lynch Starrett Poetry Prize
Runner-up, Society of Midland Authors 2002 Poetry Prize

Gabriel Gudding's poems not only defend against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself. These poems sometimes nestle in the lowest regions of the body, and depict invective, donnybrooks, chase scenes, and the abuse of animals, as well as the indignities and bumblings of the besotted, the lustful, the annoyed, and the stupid.

In short, Gudding seeks to reclaim the lowbrow. Dangerous, edgy, and dark, this is an innovative writer unafraid to attack the unremitting high seriousness of so much poetry, laughing with his readers as he twists the elegiac lyric I into a pompous little clown.

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