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A Complete Dictionary of Music. Consisting of a Copious Explanation of all Words Necessary to a True Knowledge and Understanding of Music. Translated From the Original French of J. J. Rousseau. By William Waring. Second Edition
A Complete Dictionary of Music. Consisting of a Copious Explanation of all Words Necessary to a True Knowledge and Understanding of Music. Translated From the Original French of J. J. Rousseau. By William Waring. Second Edition
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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A Complete Dictionary of Music. Consisting of a Copious Explanation of all Words Necessary to a True Knowledge and Understanding of Music. Translated From the Original French of J. J. Rousseau. By William Waring. Second Edition (e-book) (used book) | bookbook.eu

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Cambridge University Library

N005070

With a half-title. First edition has title 'A dictionary of music'. The plates are numbered 469-470 to follow pagination.

London: printed for J. Murray; and Luke White, Dublin, 1779. [4],468p., [2]plates: music; 8°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Cambridge University Library

N005070

With a half-title. First edition has title 'A dictionary of music'. The plates are numbered 469-470 to follow pagination.

London: printed for J. Murray; and Luke White, Dublin, 1779. [4],468p., [2]plates: music; 8°

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