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55,59 €
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21st Century Retro: Mad Men and 1960s America in Film and Television
21st Century Retro: Mad Men and 1960s America in Film and Television
50,03
55,59 €
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Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theori…
55.59
  • Publisher:
  • Year: 2021
  • Pages: 244
  • ISBN-10: 3837657213
  • ISBN-13: 9783837657210
  • Format: 14.8 x 22.4 x 1.8 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

21st Century Retro: Mad Men and 1960s America in Film and Television (e-book) (used book) | bookbook.eu

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Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men.

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  • Author: Debarchana Baruah
  • Publisher:
  • Year: 2021
  • Pages: 244
  • ISBN-10: 3837657213
  • ISBN-13: 9783837657210
  • Format: 14.8 x 22.4 x 1.8 cm, minkšti viršeliai
  • Language: English English

Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men.

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