95,93 €
106,59 €
-10% with code: EXTRA
'BIG BROTHER' - The 'Reality Show' as a Globalized 'Post- Documentary' Form
'BIG BROTHER' - The 'Reality Show' as a Globalized 'Post- Documentary' Form
95,93
106,59 €
  • We will send in 10–14 business days.
In this book I am attempting to scrutinise the Big Brother show (Endemol, 1999) - the archetype of the 'reality show' genre (Cummings, D, 2002, xii) - as a cultural product of our 'post-modern-late capitalism' era (Jameson, F, 1993, xii). In specific, I am focusing on its function as a pop- culture globalised 'post-documentary' form that, on the one hand, reflects our era's 'post-modern' dimension, and through the space-time processes decontextualises space (geography) and time (history), and t…
  • Publisher:
  • ISBN-10: 3639101359
  • ISBN-13: 9783639101355
  • Format: 15.2 x 22.9 x 0.3 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

'BIG BROTHER' - The 'Reality Show' as a Globalized 'Post- Documentary' Form (e-book) (used book) | bookbook.eu

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In this book I am attempting to scrutinise the Big Brother show (Endemol, 1999) - the archetype of the 'reality show' genre (Cummings, D, 2002, xii) - as a cultural product of our 'post-modern-late capitalism' era (Jameson, F, 1993, xii). In specific, I am focusing on its function as a pop- culture globalised 'post-documentary' form that, on the one hand, reflects our era's 'post-modern' dimension, and through the space-time processes decontextualises space (geography) and time (history), and thus, distorts our sense of the 'real' and transcends the cultural borders; while on the other hand, reflects our era's 'late- capitalism' dimension, and thus, the western capitalistic spaces, (pop-) cultural symbols and social dynamics. Therefore, Big Brother, enhances the globalisation process in the form of westernisation.

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  • Author: Ioannis Vamvakitis
  • Publisher:
  • ISBN-10: 3639101359
  • ISBN-13: 9783639101355
  • Format: 15.2 x 22.9 x 0.3 cm, softcover
  • Language: English English

In this book I am attempting to scrutinise the Big Brother show (Endemol, 1999) - the archetype of the 'reality show' genre (Cummings, D, 2002, xii) - as a cultural product of our 'post-modern-late capitalism' era (Jameson, F, 1993, xii). In specific, I am focusing on its function as a pop- culture globalised 'post-documentary' form that, on the one hand, reflects our era's 'post-modern' dimension, and through the space-time processes decontextualises space (geography) and time (history), and thus, distorts our sense of the 'real' and transcends the cultural borders; while on the other hand, reflects our era's 'late- capitalism' dimension, and thus, the western capitalistic spaces, (pop-) cultural symbols and social dynamics. Therefore, Big Brother, enhances the globalisation process in the form of westernisation.

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